Mr. Bliss was most recently praised as "a peer of the best Toms in the opera’s seven-decade history" (Voix des Arts) in The Rake's Progress at the The Metropolitan Opera, where he returns for the 2022-2023 season in The Magic Flute and Don Giovanni. He also returns to San Francisco Opera in Dialogues of the Carmelites and makes concert appearances with The Cleveland Orchestra, Deutsche Symphony Orchestra, and more.
UP NEXT: OPERNHAUS ZURICH
A NEW PRODUCTION
The question of the value relationship between sound and word in opera is as old as the genre itself – and at the heart of Richard Strauss’ conversation piece Capriccio. It is his last opera, written when he was nearly 80. Capriccio, however, is anything but dry discourse about the dominance of language or music in opera. Rather, it is an ambiguous game that virtuously links the characters’ discussions of art with their erotic entanglements. In a salon near Paris, a theater director, a poet, a composer, and actress, and the count who loves her passionately discuss the nature of various artistic genres. The count suggests performing an opera about the very topic of their discussion, about themselves, about «the events of the day today, what we experienced». Mr. Bliss appears as Flamand.
UP NEXT: SAN FRANCISCO OPERA
DIALOGUES OF THE CARMELITES
Francis Poulenc’s profound drama returns to San Francisco in honor of the Company’s U.S. premiere of the work in 1957. Olivier Py’s award-winning staging pairs striking tableaus with Poulenc’s haunting, poetic score conducted by Music Director Eun Sun Kim. Mr. Bliss returns to San Francisco opera to appear in this production as Chevalier de la Force.
"Ben Bliss is wonderful as Ferrando, with an ideally sweet voice & boyish earnestness."
March 16, 2018
March 16, 2018
"Bliss’s graceful, flowing performance of “Un’aura amarosa” was the most musically compelling moment of the performance."
THE METROPOLITAN OPERA - LIVE IN HD
MAY 20, 2023
Tony Award–winning director of Broadway’s A View from the Bridge and West Side Story, Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio.